When the margins become the center. The case of Tandil

When the margins become the center. The case of Tandil

This article analyzes the work carried out by the Museum and Exhibition Studies Group (GEME), and its contribution to the writing of the history of exhibitions and curatorship in Argentina. At the same time, it includes an investigation on Cristian Segura as director of the Municipal Museum of Fine Arts of Tandil between 2001 and 2002. In this way, this case analysis continues with the line opened by the GEME, and tries to become another contribution to this field of study.

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